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Rodan, King of the Skies. This poll was created on December 15, , and so far people voted. Godzilla: King of the Monsters , also known by the working title of " Fathom " , is an upcoming American science fiction monster film produced by Legendary Pictures.
Main article: Godzilla: King of the Monsters. Godzilla and King Ghidorah size each other up before a titanic clash. Godzilla King of the Monsters - Official Trailer 2.
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One popular story is that "Gojira" was actually the nickname of a corpulent stagehand at Toho Studio. In the Hepburn romanization system, Godzilla's name is rendered as "Gojira", whereas in the Kunrei romanization system it is rendered as "Gozira".
During the development of the American version of Godzilla Raids Again , Godzilla's name was changed to "Gigantis", a move initiated by producer Paul Schreibman, who wanted to create a character distinct from Godzilla.
Within the context of the Japanese films, Godzilla's exact origins vary, but it is generally depicted as an enormous, violent, prehistoric sea monster awakened and empowered by nuclear radiation.
Art director Akira Watanabe combined attributes of a Tyrannosaurus , an Iguanodon , a Stegosaurus and an alligator  to form a sort of blended chimera , inspired by illustrations from an issue of Life magazine.
In the original film, the plates were added for purely aesthetic purposes, in order to further differentiate Godzilla from any other living or extinct creature.
Godzilla is sometimes depicted as green in comics, cartoons and movie posters, but the costumes used in the movies were usually painted charcoal grey with bone-white dorsal plates up until the film Godzilla Millennium.
In the original Japanese films, Godzilla and all the other monsters are referred to with gender-neutral pronouns equivalent to "it",  while in the English dubbed versions, Godzilla is explicitly described as a male, such as in the title of Godzilla, King of the Monsters!
In the film Godzilla , the monster is referred to as a male and is depicted laying eggs through parthenogenesis.
Godzilla's allegiance and motivations have changed from film to film to suit the needs of the story. Although Godzilla does not like humans,  it will fight alongside humanity against common threats.
However, it makes no special effort to protect human life or property  and will turn against its human allies on a whim.
It is not motivated to attack by predatory instinct: it does not eat people  and instead sustains itself on nuclear radiation  and an omnivorous diet.
Something new and fresh can begin. Godzilla's signature weapon is its "atomic heat beam" also known as "atomic breath"  , nuclear energy that it generates inside of its body, uses electromagnetic force to concentrate it into a laser-like high velocity projectile and unleashes from its jaws in the form of a blue or red radioactive beam.
Godzilla is shown to possess immense physical strength and muscularity. Haruo Nakajima, the actor who played Godzilla in the original films, was a black belt in judo and used his expertise to choreograph the battle sequences.
Godzilla is amphibious : it has a preference for traversing Earth's hydrosphere when in hibernation or migration, can breathe underwater  and is described in the original film by the character Dr.
Yamane as a transitional form between a marine and a terrestrial reptile. Godzilla is shown to have great vitality: it is immune to conventional weaponry thanks to its rugged hide and ability to regenerate ,  and as a result of surviving a nuclear explosion, it cannot be destroyed by anything less powerful.
It is an electromagnetic pulse-producing organ in its body which generates an asymmetrical permeable shield making it impervious to all damage except for a short period when the organ recycles.
Various non-canonical films, television shows, comics and games have depicted Godzilla with additional powers, such as an atomic pulse,  magnetism,  precognition,  fireballs,  an electric bite,  superhuman speed,  laser beams emitted from its eyes  and even flight.
Godzilla has a distinctive disyllabic roar transcribed in several comics as Skreeeonk! King Ghidorah , Godzilla was given a deeper and more threatening-sounding roar than in previous films, though this change was reverted from Godzilla vs.
Mothra onwards. Godzilla's size is inconsistent, changing from film to film, and even from scene to scene, for the sake of artistic license.
Levine felt that 50 m did not sound "powerful enough". King Ghidorah Supplementary information, such as character profiles, would also depict Godzilla as weighing between 20, and 60, metric tons 22, and 66, short tons.
In Godzilla: King of the Monsters , Godzilla's height was increased to Godzilla's appearance has traditionally been portrayed in the films by an actor wearing a latex costume , though the character has also been rendered in animatronic , stop-motion and computer-generated form.
The first suit consisted of a body cavity made of thin wires and bamboo wrapped in chicken wire for support and covered in fabric and cushions, which were then coated in latex.
The first suit was held together by small hooks on the back, though subsequent Godzilla suits incorporated a zipper.
Biollante to Godzilla vs. Destoroyah , when the suit was given a cat-like face and double rows of teeth. Several suit actors had difficulties in performing as Godzilla, due to the suits' weight, lack of ventilation and diminished visibility.
The ventilation problem was partially solved in the suit used in 's Godzilla vs. SpaceGodzilla , which was the first to include an air duct, which allowed suit actors to last longer during performances.
The Cybot Godzilla consisted of a hydraulically-powered mechanical endoskeleton covered in urethane skin containing 3, computer operated parts which permitted it to tilt its head and move its lips and arms.
In Godzilla , special effects artist Patrick Tatopoulos was instructed to redesign Godzilla as an incredibly fast runner. Several scenes had the monster portrayed by stuntmen in suits.
The suits were similar to those used in the Toho films, with the actors' heads being located in the monster's neck region, and the facial movements controlled via animatronics.
However, because of the creature's horizontal posture, the stuntmen had to wear metal leg extenders, which allowed them to stand two meters six feet off the ground with their feet bent forward.
In Godzilla , the character was portrayed entirely via CGI. Godzilla's design in the reboot was intended to stay true to that of the original series, though the film's special effects team strove to make the monster "more dynamic than a guy in a big rubber suit.
Storm provided the performance capture for Godzilla by wearing sensors in front of a green screen. Godzilla is one of the most recognizable symbols of Japanese popular culture worldwide,   and remains an important facet of Japanese films, embodying the kaiju subset of the tokusatsu genre.
Godzilla's vaguely humanoid appearance and strained, lumbering movements endeared it to Japanese audiences, who could relate to Godzilla as a sympathetic character, despite its wrathful nature.
The film and character has often been branded as an imitation of Godzilla. Godzilla has been considered a filmographic metaphor for the United States, as well as an allegory of nuclear weapons in general.
The earlier Godzilla films, especially the original, portrayed Godzilla as a frightening nuclear-spawned monster.
Godzilla represented the fears that many Japanese held about the atomic bombings of Hiroshima and Nagasaki and the possibility of recurrence.
As the series progressed, so did Godzilla, changing into a less destructive and more heroic character.
Godzilla is considered "the original radioactive superhero " due to his accidental radioactive origin story predating Spider-Man debut ,  though Godzilla did not become a hero until Ghidorah in Godzilla's success inspired the creation of numerous other monster characters, such as Gamera ,   Reptilicus of Denmark,  Yonggary of South Korea,  Pulgasari of North Korea,  Gorgo of the United Kingdom  and the Cloverfield monster of the United States.
Godzilla's fame and saurian appearance has influenced the scientific community. Gojirasaurus is a dubious genus of coelophysid dinosaur, named by paleontologist and admitted Godzilla fan Kenneth Carpenter.
Godzilla's ubiquity in pop-culture has led to the mistaken assumption that the character is in the public domain , resulting in litigation by Toho to protect their corporate asset from becoming a generic trademark.
In April , Subway depicted a giant monster in a commercial for their Five Dollar Footlong sandwich promotion. The monster was never mentioned by name, being seen briefly on a video screen inside the minivan.
Its purpose is to target and harass Japanese whalers in defense of whales in the Southern Ocean Whale Sanctuary. Promotional material released at the Cannes Film Festival used images of Godzilla.
The main-belt asteroid Gojira , discovered by American astronomer Roy Tucker at the Goodricke-Pigott Observatory in , was named in honor of the creature.
To encourage tourism in April the central Shinjuku ward of Tokyo named Godzilla an official cultural ambassador.
During an unveiling of a giant Godzilla bust at Toho headquarters, Shinjuku mayor Kenichi Yoshizumi stated "Godzilla is a character that is the pride of Japan.
Reporters noted that Shinjuku ward has been flattened by Godzilla in three Toho movies. From Wikipedia, the free encyclopedia.
This article is about the monster. For the film franchise, see Godzilla franchise. For other uses, see Godzilla disambiguation.
For other uses of "Gojira", see Gojira disambiguation. Giant monster or kaiju. Storm   . Main article: Godzilla franchise.
Main article: Godzilla in popular culture. Retrieved July 18, Retrieved August 1,